Now for the rest of my post:
Mel Y. Chen’s “Toxic Animacies,
Inanimate Affections” has kept me thinking all week. I struggle with her desire
to push theory close to (for me) the absurd. Katherine has a nicer way of
saying this: “Chen’s prose is dense, and several of her lines of argumentation
push at the boundaries of what we expect to see in an article.” Chen has me
whipping all over the place, trying to reconfigure images with which I am most
acquainted with the new pictures she draws for her readers.
My last nursing position was with
Stanislaus County Department of Public Health. I worked in the maternal-child
health department and overheard many conversations re: exposure of patients to
environmental agents. While the majority dealt with farm worker-parents
exposure to pesticides (Modesto is a farming community,) there were more than
enough conversations that revolved around our county’s children’s exposure to
lead, either through disintegrating poisoned paint in their homes or from
ingestion of candies brought in from Mexico and marketed in small ethnic
grocery stores that our clients frequented. The outcome can be horribly
devastating, is terribly sad, and is almost entirely preventable.
As a public health nurse, however,
I never observed a white male child suggestively and longingly lick a toy
train. Rather, I observed many children of all colors going about their day in
an environment that (through no fault of their own) was silently hostile to
them. Chen takes these children’s stories and weaves them with sexual
overtones, links them with the American myth of Manifest Destiny, and then
rides with them on the transcontinental railroad West until she arrives at her theory
of U.S. capitalistic addictions that plunders other countries. Fuel for these
addictions is extracted from poor workers who labor under toxic conditions to
keep Americans happy with never-ending inexpensive products, until those same
Americans turn on the workers when those products become environmentally
unfriendly. Specifically we rejected China who sent us lead-laden Thomas the
Trains; I remember too when we rejected Great Britain for sending mad-cow
disease, Southeast Asia for distributing SARS virus to the world, and—as is the
case now—West Africa for its export of Ebola.
Which brings me (finally, you say)
to how I would incorporate this information into a discussion of Pale Horse, Pale Rider. Someday I would
like to lecture in one of the many Health Science Humanities courses developing
as I write this in professional schools across the globe. Chen gives me a
unique opportunity to introduce students to humanities’ theory that can relate
to their chosen profession; her work is perfect to stimulate conversation in
the health science classroom. I would concentrate on sharing Chen’s personal
description of trying to survive in a world in which her health was at the
mercy of the next woman wearing perfume or man carrying cleaning rags who
happened to cross her path. I would hang Chen’s story on whichever medical or
nursing model the class utilized so that it would inform not only the students’
sensibilities and empathy, but also would lend itself to formulating diagnosis,
planning, and interventions for care. Chen’s story is unique but sooner or
later, we’ll all have a story to tell of how toxins affect our lives. Many of
us will deliberately encounter those poisons when we try to save our lives.
Medicine is all about toxins in one
form or another. The toxins are either killing us or curing us. Health Science
professionals spend their days balancing the pros and cons of injecting the
sick human body with poison agents that will make them well again. Virtually
every treatment that will heal in small amounts will kill in large ones
(liver-toxicity in Tylenol, anyone?) Chemotherapeutic agents are calibrated
everyday and then administered to willing humans by nurses gowned, masked and
double-gloved to protect them from the toxic substances. Radiation therapists
implant radiation rods into willing patients to soothe solid tumors and buy
time for patients who must refuse to longer cradle their children or pets
because of the dangerous radiation being emitted from their body.
It would take but a few minutes for
students to recall the therapies they’ve administered and their healthy fear in
handling the poisons. They could then contemplate their patients’ responses to
knowing a lethal substance that could potentially kill them was being utilized
to stave off a disease that was likely to kill them sooner. We’d spend some time discussing how
people get to the point that they consider ‘poisoning’ their already poisoned bodies.
How strong is the will to live? What pain will one tolerate to buy a few more
weeks, months, or maybe even years? And, what if it’s not worth it in the end, what
if the scarring from the toxic agents takes a toll greater than the initial
disease?
There is a plethora of poetry
written by survivors about the horrors and the healings of chemo and radiation
therapies. There are also boatloads of books dealing with the same. Pale Horse, Pale Rider presents an
interesting example of “toxic cures”: as I noted last week (and won’t bother
you with again this week), the protagonist Miranda (and her real-life
doppelganger, Katherine Anne Porter,) were both saved when they were probably
minutes from death in the end stages of influenza with an experimental
injection of strychnine. You might recall Miranda’s silent scream as the
painful toxin raced throughout her body when the poison was administered. We
move to the very limits in our attempt to cure the ill; we hope we don’t push
too far and lose our patients. More than that, we hope that if our toxic concoctions
save our patients’ bodies, they will still have their minds to take home with
them.
I know I’ll continue to grapple
with Chen’s work for a long time. It has been interesting to see how many of us
have chosen to blog on this piece and from how many different angles we’ve
tackled it. Such a multi-faceted article can only enrich our future
discussions.
I respectfully refrained from mentioning Ebolavirus in my post, rationalizing that you were sure to take up Chen's article as well! I love that you talk about toxic cures and the inclination to poison the already poisoned body. The necessity of killing something that is living in and on your body surely has to be naturalized for us through some level of cognitive dissonance. Vaccines are even more of a challenge to intuitive conceptions of the body as a pure space not to be infiltrated by outside pollutants. The crossover into thinking about medicines coming into the body not in response to disease but rather as poisonous food (as in the billboard) further calls into question the medicine/disease boundary as well as the line between toxifying and detoxifying. Fascinating post!
ReplyDeleteYes, I also really enjoyed your discussion of toxin as cure and vice versa. I was struck by your characterization of Chen's unique or singular story as a process or spectrum that all of us will deal with eventually, if we live long enough. It is a question I wonder about in relation to disability studies, and something I'd like to learn more about someday when: how to think disability in relation to (or in contrast with) aging, in that if one lives long enough, one will eventually be disabled in some way. Chen is marked as disabled when going out in the world wearing a mask, but what if we view disability as something that we all harbor deep inside? What does that do to Chen's reading of [her/per] body as marked by otherness?
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