Gayatri Spivak’s “Subaltern Studies: Deconstructing
Historiography” isn’t an obvious pairing with Cleland’s Memoirs of a Woman of Pleasure. But the connections with women in
both texts, as well as Nancy Armstrong’s “Gender Must Be Defended,” work
together to create the basis for what could be a really fun lesson.
First off, I want to acknowledge that Spivak and Cleland
don’t completely match up in time and space (although he did spend a
significant amount of time in India… I really need to read more of Fanny Hill in
Bombay in order to flesh out this argument). Spivak points out that
theory “cannot produce universals,” though it can “produce provisional
generalizations” (17). It’s important to recognize that no theory is universal
or one-size-fits-all; those who don’t (as she explains in more detail on the
following pages) end up with huge gaps in their analysis. For example, Marx is
great, but his working-class subject doesn’t map completely onto the subaltern
subject here (14-15). In other words, check yourself before you wreak your
theory (and yourself). Articulating where the gaps lie will help in better
understanding how they effect your analysis.
So now the fun part: Let’s say it’s an upper division
undergrad course on erotic literature from the 1600s to today.
I’d use Spivak’s discussion about how “the subaltern’s view
… cannot be recovered” as a way to set up some context for Memoirs (12). Those who get to write have power and Fanny writes
her own story, making sure it’s not forgotten. Yet, much like these peasants
whose “view of the struggle will probably never be recovered,” the majority of
sex workers in 1700s London were streetwalkers whose views were also not
recorded in a way we can access today (Spivak 12). There are many 18th-century writers
who talk about seeing women in the streets, being harassed by them (thanks
Boswell), but much of the prostitute narrative, fictional or not, concerns
women who work indoors and have a higher-class, often regular, clientele. The
lack of voices from less-educated folks makes reconstructing a rounded
historical context difficult, especially since so many texts are anonymous. I’d
then lead us into looking at how else Cleland’s text seems idealized and what
historical evidence from less fortunate/well-off prostitutes does to our
interpretation of Fanny’s narrative. For example, hardly anyone gets pregnant
and Fanny never gets VD – she is far
from typical for her time. Just as this authentick 18th-century edition of Cosmopolitan indicates.
Another teaching point would come from Spivak and Armstrong’s
talk about the role of women as exchange objects, not subjects in and of
themselves. I would give my students some readings from Claude Lévi-Strauss and
Gayle Rubin on this topic, then use it as a lens to look at the relationships
within Memoirs. The fact that women
don’t function “properly” as exchange objects is one of the problems with prostitution.
We’d use these readings to look at Cleland’s Memoirs in comparison with texts we’d already read in the class,
such as Charles Walker’s Authentick
Memoirs of the Life, Intrigues, and Adventures of the Most Celebrated Sally Salisbury
(1723) and Eliza Haywood’s The Anti-Pamela
(1741). It would be a way to consolidate what we’d been working on before,
then set us up for whatever our next readings would (like de Sade or something
equally fun).
(I’d also want to do something with how Armstrong explicitly
talks about revisiting and revising her ideas from before (530-31) as a tool
for revising papers and thinking critically. But that’s another topic for
another time.)
I would LOVE to take your "upper division undergrad course on erotic literature from the 1600s to today." I like how the way you write about it here suggests you know what readings would come before and after this class, not just because I like the way you've charted a course through this topic already, but also because it shows attention to cohesion in a course, which seems important and is something I always value as a student.
ReplyDeleteI am also interested in the idea of not functioning "properly" as an object of exchange-- especially I find myself thinking (perhaps because I am taking a critical race studies class) about ways that people who are trying to escape being treated as a commodity can treat themselves not only as subjects but also as objects. I wonder what kind of subject/object of exchange a prostitute is-- i.e. are they laborers, lenders, performers, producers, products? I'm sure there is much on this in secondary literature I'm unaware of.
Katherine, thanks for the support =). In the theory fun that I've read, many discuss the prostitute as disruptive to capitalism because she is at once producer and commodity. Those who work for themselves aren't alienated from their labor in the same way either. So I'd say yes to all of the above. I've found Consuming Subjects: British Women and Consumer Culture in the Eighteenth Century by Elizabeth Kowaleski-Wallace really helpful in looking at these ideas. She has a whole chapter on tea too.
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ReplyDeleteBethany, per usual I really enjoyed your post. Thanks for the amazing Cosmo cover! Love it. I am interested in thinking about this line from your post, "Those who get to write have power and Fanny writes her own story, making sure it’s not forgotten," and then also that you would make sure to contextualize her narrative with "historical evidence from less fortunate/well-off prostitutes [to see what those do] to our interpretation of Fanny’s narrative." If I were in your class, I would want to discuss what it means to have a singular voice speak for a voiceless group and perhaps bring in Armstrong's idea that sexual desire and/or feminine deviancy can create new formations of groups of people/women and how these women are perhaps creating their own 'household' with the idealized non-pregnant Fanny as 'patriarch' rather than joining the ranks of Armstrong's homeless women. That was kind of a long sentence...just spitballing here, but could be fun to discuss!
ReplyDeleteIf we can't tell a fop from a rake, then they're doing it wrong!
ReplyDeleteBut seriously: Great post. Though you only mention it as an aside at the end of the post, I'm glad that you focused on Armstrong's nod towards her own "self-revision" (530-531). This is an excellent place to discuss not just students' (and our own) practices of revision, but intellectual trajectories as well. Armstrong is basically gesturing towards her own history with feminism (and implicitly, queer theory) and the shifts in her thinking as part of her own intellectual project, rather than deviations from it. It is an important lesson for all of us, at every level.
Great post! I also second Katherine's endorsement of your literary history of eroticism course, which I would totally take as well. Your post gets into parts of Spivak's essay that I didn't read into "Bartleby," like the very important section on the objectification of women. There are some interesting passages at the end of Spivak's chapter that deal with the question of women and the functioning certain territories and the operation of political mobilizations. How do prostitute narratives deal with women and territory? Does this complicate the woman's status as exchange object? Are there mobilizations? Because you know I wanna hear about them.
ReplyDeleteI especially like your point about the specter of countless untold prostitute narratives from the 1700s, and I love that you've connected this to Spivak's ideas about subalternity. The idea of a woman's body as a colonized space really has a toehold in that interpretive framework. It's also interesting to consider whether the proliferation of fictional prostitute narratives written by men serves more to obscure those untold stories or to highlight their absence. What does it say about the moralizing function that the very real horrors of street prostitution are absent from the male-authored narratives of high-class escort-type "women of pleasure"?
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